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Adrian Flanagan was born in Nairobi, Kenya. He was educated at Stonyhurst College and studied pre-clinical medicine at King's College, London. Uncertain whether to continue with medicine, he took time out to travel through Sri Lanka and India. Returning to the UK, he went back to university, completing a degree in Osteopathic Medicine.

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It was in 2005 that Adrian eventually realised a childhood ambition of sailing singlehanded around the world. He set sail from the south coast of England on 28 October that year. His route took him south down the Atlantic, westwards around Cape Horn, north up the Pacific Ocean, through the Bering Strait and along Russia's Arctic coast. He returned to England on 21 May 2008 to complete the first 'vertical' solo circumnavigation.

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Approaching Honolulu after six months at sea 

Adrian Flanagan arrives home at the end of the Alpha Global Expedition, his singlehanded round-the-world voyage, to be greeted by the Royal Navy with a cup of tea. Adrian now works as a sculptor creating beautiful bronze sculptures of wildlife in their natural habitats.

Arriving back in Southampton after 33,000 miles to a welcome cup of tea from the Royal Navy escort

The Ocean Cruising Club presented Adrian with the Award of Merit.

Adrian has also written a number of books, both fiction and non-fiction.

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Following publication of his last book, Adrian Flanagan taught himself to sculpt, seeking to capture the essence of the subject through movement, expression and pose. Adrian's wildlife pieces are limited editions, and cast in bronze at the Talos Art Foundry in Hampshire.

He has also developed a series of Sculpture Painting techniques to combine his love of abstract art and sculpture by 'painting' wax and other media onto board which is then cast in bronze.  

 

'I have always had a fascination with both sculptural form and abstract visual art. While I have an idea of what I want to create with each piece whether it be representational or abstract, sculpture or painting, I relish that moment when the art begins to live, shaping itself, guiding my hand instead of me guiding it - that moment when the work begins to tell its own story.'

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